Samuel Chatto, the great-nephew of the late Queen Elizabeth II, has announced his engagement to Eleanor Ekserdjian.

The couple, both 29, share a passion for the arts and reside together in the capital.

The King has been made aware of the happy news and is very pleased for the pair.

Mr Chatto is the son of Lady Sarah Chatto and her husband Daniel, making him a cousin of the Prince of Wales and the Duke of Sussex.

In a distinctive personal touch, Mr Chatto designed and created the engagement ring himself using porcelain, drawing on his skills as a ceramicist.

The talented potter maintains a studio at his Sussex property, where he produces his ceramic works amidst the surrounding countryside.

The betrothed pair were recently spotted at the June wedding of Peter Phillips to NHS nurse Harriet Sperling, which took place at All Saints Church in Kemble, Gloucestershire.

They attended the ceremony alongside Mr Chatto's parents, demonstrating their growing presence at family occasions.

Both Mr Chatto and Ms Ekserdjian studied at the University of Edinburgh, where they each pursued their artistic interests.

The pair are thought to have first crossed paths in 2021, though they have largely kept their relationship away from public attention.

Ms Ekserdjian holds a degree in fine art from the Scottish institution, while her fiancé has established himself as a respected ceramicist.

Their mutual dedication to creative pursuits has made them something of a notable duo within London's art circles.

In 2024, Ms Ekserdjian joined the Royal Family's Christmas Day celebrations at Sandringham, becoming only the second unmarried partner after the Duchess of Sussex to receive such an invitation.

Lady Sarah Chatto and her husband Daniel are naturally thrilled by their son's engagement, as are the bride-to-be's parents.

Ms Ekserdjian's father, Professor David Ekserdjian, is a distinguished art historian who holds the position of Professor of History of Art and Film at the University of Leicester.

Her mother, Susan Moore, works as an art critic for the Financial Times.